Tag Archives: Gairloch Gardens

Child’s play

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LeporelliWith most of Oakville Galleries’ education programs running at our location in Gairloch Gardens, it’s easy to identify what we do with this place. A conversation I have almost daily is how stunning it is here. And it is! The gardens, lake and horizon are all pretty spectacular. But what makes Gairloch so special, I think, isn’t just the view beyond our windows, but all the formative encounters with art that take place within our walls.

A few weeks ago, we hosted a group of local moms and toddlers for an exhibition tour and artmaking workshop. For a few of the little ones, it wasn’t just their first time visiting a gallery, it was their first time getting to paint! A two-year old boy learned how to hold a paintbrush for the first time; a little girl discovered finger painting, using every colour she could get her hands on; another was blown away to see how red and white mix together to make pink. These are the moments—moments that have happened thousands upon thousands of times here—that make Gairloch such a wonderful place to come to work every day. What may seem at first glance like child’s play is really a milestone for parents and children: in their cognitive and creative development, and in their relationship with each other.

Want to experience a little of the magic firsthand? Come by our free Family Day workshop this coming Monday and see where it can lead! Or bring the whole family to visit one of our exhibitions and follow it with some at-home craft time. You’ll be delighted to see what creativity it prompts.

Etel Adnan: Sea and Fog

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Etel-Adnan-3

Oakville Galleries’ current exhibition takes its title, Sea and Fog, from a 2012 publication by Etel Adnan. As with many of Adnan’s written works, weather phenomena and motifs from the natural world—the sea, the sun, fog, fires, deserts and storms—form a continuous backdrop to a series of prose-poetry meditations on time, place, poetry, war, love and loss.

She writes, for example: The sky fell and storms blew on its face. It sank deeper; in that maelstrom humans lost balance. There were fires on earth and questioning in the waters.

Despite the dark charge of such passages, however, the sea, as ever, is a restorative force: We fear violence, but more feared is its absence. So heavy is the world becoming. Heavy in the soul. A few laps in the ocean will bring rest.

And later in the book she urges her readers to: Look well at the Pacific before you die. The best of the promised paradises have neither its hues nor its splendor.

With this book, Adnan continues to eloquently give voice to the trauma of an increasingly unsettled world, and to remind us that art, poetry, and the natural world may offer much-needed moments of liberation, resistance and respite.

Etel-Adnan-4Images (top to bottom): Selected poetry and prose by Etel Adnan; Installation view of Etel Adnan: Sea and Fog at Oakville Galleries in Gairloch Gardens. Left: Montagnes 4, 2015, india ink on paper. Centre: Forêt automnale, 2015, wool tapestry. Courtesy of Galerie Lelong. Photos: Toni Hafkenscheid.

Collection Spotlight: FASTWÜRMS

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FASTWÜRMS, Giant Beaver Charm, 1999–2000.

If you’re visiting Oakville Galleries in Gairloch Gardens this summer, make sure to check out Giant Beaver Charm (1999–2000), a site-specific commission by Canadian artist-duo FASTWÜRMS. The charm bracelet—made for a distinctive willow tree next to the pond in Gairloch Gardens—features a variety of symbols: stars, horseshoes, snowmen, and a single giant beaver tooth.