In Allison Katz’s current exhibition Diary w/o Dates, references to seasons, calendars, clocks, and diary-writing abound. Rather than an exacting chronology, Katz’s works—and their installation—explore how time feels.
In the lead-up to the exhibition, staff in the curatorial office read Marc Wittmann’s book Felt Time, published by MIT Press. In the book, Wittmann takes up recent scientific discoveries that shed light on our understanding of subjective time, exploring how our bodies create a basis for feeling the passage of time, how our perception of time impacts our decisions, and why time seems to speed up as we age.
As Wittmann writes: “We are time.” Our perception of time, its duration and its passing has a profound impact on our experience. My grandmother, for example, celebrated her birthday on the wrong day of the year for her entire life due to a mistranslation from the Jewish calendar when she immigrated to Canada as an infant. A few years ago, my dad proudly announced he had calculated the “true” date, but it was too late, she told him: she already had a birthday.
Installation view of Allison Katz, Season 1, 2018, sand, silica. From Diary w/o Dates, Oakville Galleries in Gairloch Gardens, 21 January – 18 March 2018. Courtesy of the artist. Photo: Toni Hafkenscheid.
This month the curatorial office at Oakville Galleries has been reading Jane Urquhart’s A Number of Things, a series of meditations on fifty objects, each offering a glimpse into the complex history of Canada’s nationhood.
Art, by its very nature, has always been concerned with objects. Our current exhibition, Propped, thinks about how objects take on new meanings when they are used or activated in certain ways. The opposite might also be true: surely we are changed by our interactions with objects; the stories they tell about us, the influence they have on our lives.
In the inaugural talk for our new Authors on Art series last week, Urquhart spoke beautifully to these ties, describing how her own life has been enmeshed with and gained meaning from certain objects—from crockery and a pair of slippers to photographs, homes and memorial stones.
Image: Visitor with Abbas Akhavan’s work. Photo: Mike Dopsa.
This month the curatorial office at Oakville Galleries is reading Peter Godfrey-Smith’s Other Minds: The Octopus and the Evolution of Intelligent Life. For a long time, humans have thought themselves to be exceptionally clever, more so than other species. Philosopher Godfrey-Smith suggests that this is not so. We are not superior to the other animals with which we share a planet; we are just differently intelligent. One certainly gets that sense with the creatures that populate Cosima von Bonin’s current exhibition in Gairloch Gardens. They are mysterious and yet also a bit human-like, misbehaving—a shark at a school desk is not acting as most sharks do!—and crafty, not only because they are (for the most part) hand-stitched, but also because they are surely “up to something.”
Staying on theme, next on our reading list is Fifteen Dogs, a novel by André Alexis about a pack of dogs that the gods Apollo and Hermes have imbued with human consciousness and language. A perfect accompaniment to Sojourner Truth Parsons’ exhibition down the road at Centennial Square.
Image: Installation view of Cosima von Bonin, HAI AM TISCH 1, 2014. Courtesy of the artist and Galerie Neu, Berlin. Photo: Toni Hafkenscheid.